No more mock-bookshelves and challenge data from Good Reads for me; when Amazon bought them out, I removed all my reviews but continued to participate in conversations and track my page progression through various volumes in my stack, thinking that was a decent compromise. But the increased advertising and
Amid the cacophony of resolutions and reflections, I’ve begun reading in January before I’ve shared my thoughts on past and future reading years of 2022 and 2023. But The Australian Legend’s Week of Australian Women Writers, which highlights science-fiction writers beginning here, has inspired me to share my
Abdullah, Hage, Friedman, Ha, Orner and Atwood Short Stories in October, November, and December Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to three favourite writers and also explored three new-to-me story writers.
On the day that I got my visitor’s card at the library here, I borrowed Marie-Louise Gay’s Mustafa (2018): a children’s story (Gay illustrates, writes, and translates) about a boy who searches for himself, in the space between his old country and his new country. Certains soirs, Mustafa rêve
Poetry is a place into which we can disappear from pain. In these collections, there are many other themes explored, but these passages intertwined like threads through my reading. In “A Toothless Crackhead Was the Mascot” from Reginald Dwayne Betts’ Bastards of the Reagan Era (2015): “This begins the concept
