It’s such a perfect way to begin the book, inviting readers to imagine sitting at a kitchen table with Sto:lo author, Lee Maracle. And because it is inspired by the recurring conversations which she has had, over the years, with Canadians, this motif is not only welcoming but also
Having had such a difficult relationship with her mother, Mavis Gallant must have hoped for more from her father. But think of the separateness of the child and father in “Wing’s Chips” (a story with outward similarities to some of Gallant’s childhood experiences). And the outright conflict in “The Rejection”. She
Amabel is just a few years older than young Shirley, who lost her young husband Pete when they were newlyweds in “The Accident”; barely married, not yet disappointed. Had Amabel and Shirley been friends, able to discuss their brief experiences of married life, I wonder how their opinions might
Like the sand dollar that Rhoda’s father slips into his pocket, this is a gritty story. Her sister Joanne repatriated their father, with an air passage to back the claim, and now he has come to live with Joanne. “Then waja come here for?” “Because Regan sent me on
If The Cat’s Table (2011) was a slow and steady unravelling of a young boy’s memories, yarn taut and tidy, Warlight is a mass of moth-eaten fragments, remnants of a finely-crafted woollen garment pulled from a trunk. A thing of beauty, yes, but the devastation is the first thing
