"My name is Renée. I am fifty-four years old. For twenty-seven years I have been the concierge at number 7, rue de Grenelle, a fine hôtel particulier with a courtyard and private gardens, divided into eight luxury apartments …" In Muriel Barbery's The Elegance of the Hedgehog, readers cosy up
This season, I took a break from my reading projects and played with the longlists for some of the Canadian literary prizes. Before I'd quite finished, I started in with the next Mavis Gallant short story collection. Still, I might yet finish the three remaining books. Alternatively, they might wait
In which pages are turned, at a faster rate than usual. Character-soaked, but still fast-paced storytelling. Cherie Dimaline's The Marrow Thieves (2017) is set in a future in which the dominant culture has determined that the blood of indigenous peoples holds an inherent value for healing. Exploitation and genocide ensue. This
This story falls between some longer ones in Going Ashore, with Mavis Gallant's early and uncollected stories, "One Morning in May" and "A Day Like Any Other". Both stories in which young people's innocence moves into the shadows of experience. In the shorter stories I've been reading lately, "From Gamut to Yalta",
Continuing in the vein of "From Gamut to Yalta" and "Dido Flute, Spouse to Europe", in only four pages, Mavis Gallant presents a cursory view of a life. Background music for Siegfried and Charles Although ostensibly an exercise in objectivity, a writer's imagined review of a man's memoirs,
