Mazo de la Roche’s Morning at Jalna (1960)

2020-06-01T07:48:13-04:00

Although the last of the Jalna books written, Morning at Jalna is only the second in the sequence. It is set while the civil war is raging in the southern United States, and readers are immediately informed that the Whiteoaks are sympathetic to the southerners. In school, during the 1970s

Mazo de la Roche’s Morning at Jalna (1960)2020-06-01T07:48:13-04:00

Mavis Gallant’s “A Day Like Any Other” (1953)

2017-03-26T13:27:13-04:00

There is less than a year between Jane and Ernestine Kennedy, young sisters who “resemble little Renoirs”. They live with their mother, Mrs. Kennedy, who is so preoccupied with caring for their father, that the girls have a minder, Frau Stengel (their sixth). Jane Wyman in “Das Herz Einer Mutti”

Mavis Gallant’s “A Day Like Any Other” (1953)2017-03-26T13:27:13-04:00

Mavis Gallant’s “Señor Pinedo”

2017-03-26T13:02:21-04:00

Set in a Madrid pension, after the Spanish Civil War, "Señor Pinedo" has an ensemble cast. But, like many of the other tales in this colleciton, the story is told in the first person, from the perspective of a young woman who shares a wall with the Pinedo family. Imagining

Mavis Gallant’s “Señor Pinedo”2017-03-26T13:02:21-04:00

Mavis Gallant’s “About Geneva”

2017-03-26T12:44:34-04:00

Even the shortest story in The Other Paris provokes a strong sympathy on the part of readers. Bill Perlmutter: "Through A Soldier's Lens. Europe In The Fifties".Click for source details At the heart of the story are two young children, Ursula who is older than seven and Colin who

Mavis Gallant’s “About Geneva”2017-03-26T12:44:34-04:00

Louis Riel: On the Page, On the Stage

2019-05-11T19:55:12-04:00

The Canadian Opera Company is now presenting a new 50th-anniversary production of "Louis Riel", originally written for the celebration of the Canadian centenary in 1967, with an attempt to shift that oh-so-colonial gaze, now including indigenous artists and languages with more nuanced representations of the historical figures. These are powerfully important

Louis Riel: On the Page, On the Stage2019-05-11T19:55:12-04:00
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