Beginning Mavis Gallant’s The Other Paris (1986)

2025-03-25T09:13:40-04:00

From the age of twenty-eight, Mavis Gallant lived and wrote in Europe, writing about "Canadians, Americans, Australians, Eastern and Western Europeans and their distinctive social and cultural milieux": she was "a citizen of the world". On the edge of beginning a deliberate reading and rereading of her stories, I peeked

Beginning Mavis Gallant’s The Other Paris (1986)2025-03-25T09:13:40-04:00

Margaret Millar’s Wives and Lovers (1954; 2016)

2017-07-24T15:00:28-04:00

Readers familiar with Margaret Millar's suspense novels, will immediately recognize her style and language in Wives and Lovers. (Just yesterday I discussed Vanish in an Instant, another volume in the Syndicate reprint series.) "It was a shoebox of a room, with the ceiling pressed down on it like a lid, and

Margaret Millar’s Wives and Lovers (1954; 2016)2017-07-24T15:00:28-04:00

Vickie Gendreau’s Testament (2012; 2016)

2024-05-31T18:54:10-04:00

Originally written after the author had been diagnosed with a brain tumour, Testament is a response to the news that Vickie Gendreau would have little time left to live: about a year. 2012; Book Thug, 2016 The novel's translator, Aimee Wall, writes about the work, a few months

Vickie Gendreau’s Testament (2012; 2016)2024-05-31T18:54:10-04:00

The Promise Falls Trilogy

2017-01-06T11:04:07-05:00

Promise Falls has a history. You might not think so, but it matters. “Are we too insignificant up here: A couple of hours away from New York? Is that what we’re foolish enough to think? Let me tell you something, my friend. You want to strike fear into the hearts

The Promise Falls Trilogy2017-01-06T11:04:07-05:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation

2017-07-24T14:32:10-04:00

This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation2017-07-24T14:32:10-04:00
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