The idea of planning for this year makes me giggle because I’ve never mis-predicted a year’s activities to the extent that Me-looking-ahead-to-2021 did. Me-looking-back-at-2021 isn’t sure what to do with that development! But I had a fantastic reading year last year, even if it didn’t take the kind
What happens when someone who reads two or three hundred books a year never leaves the house? She reads even more. Take some research-heavy essays and articles--like my climate crisis article, which was responsible for nearly 70 books. Add nearly-no socializing. And even less vacuuming (cuz who would know). Yup:
I’ve been following a thread through this year’s reading for the past four days, from Roe to Revolution, Revolution to Secrecy, Secrecy to Corruption, Corruption to Colonialism, and now, linking from one fiction about labour and status to another, moving from Colonialism to Corrosion. Did you guess from yesterday’s
Dirty Work by Eyal Press (2021) landed in my stack following an interview with the New York Times Book Review editor. Its subtitle—Essential Jobs and the Hidden Toll of Inequality in America—summarizes the content aptly, but doesn’t express how un-put-down-able I found this book. Most of the time, when
Another voice-driven young woman’s story—Fatima Daas’s The Last One (2021)—held me rapt throughout. At first, I wondered if the repetitive variations on “My name is Fatima” that open each segment of the story would grate on me but, perhaps because the prose is arranged so that it’s almost-verse-like, it
