Marion Poschmann’s The Pine Islands (2017; Trans. Jen Calleja 2020)

2020-09-29T17:31:26-04:00

Marion Poschmann’s The Pine Islands (2017; Trans. Jen Calleja 2020) was shortlisted for the International Booker Prize in 2019. The jury describes it like this: “A quirky, unpredictable and darkly comic confrontation with mortality.” Her first book was published in Germany in 2002 and, since, her work has been

Marion Poschmann’s The Pine Islands (2017; Trans. Jen Calleja 2020)2020-09-29T17:31:26-04:00

Lynn Coady’s Watching You Without Me (2020)

2020-10-13T10:17:41-04:00

Within the first few pages of Watching You Without Me, I was reminded of why I enjoy Lynn Coady’s work so much, her capacity to inhabit characters so thoroughly. Here, we have Karen, who’s returned to Nova Scotia to settle matters with her developmentally disabled older sister, following their

Lynn Coady’s Watching You Without Me (2020)2020-10-13T10:17:41-04:00

David Bergen’s Here the Dark (2020)

2020-10-06T11:55:50-04:00

My experience reading David Bergen runs the gamut. When I first read The Time in Between, I felt disengaged from the story. Years later, stuck in a waiting room with The Matter with Morris (2010), I recognized layers to his storytelling which I’d missed before. With The Age of

David Bergen’s Here the Dark (2020)2020-10-06T11:55:50-04:00

Mavis Gallant’s “The Concert Party”

2020-09-29T16:36:28-04:00

For readers who have met Steven first in “Let it Pass” and then, much younger, in “In a War”, it would have been doubly significant to come across this passage, in a story about the Steven-between-youth-and-age: “In plain terms, this is not a recollection but the memory of

Mavis Gallant’s “The Concert Party”2020-09-29T16:36:28-04:00

Jean-Christophe Réhel’s Tatouine (2018; Trans. Katherine Hastings & Peter McCambridge, 2020)

2020-09-30T08:44:22-04:00

Jean-Christophe Réhel’s Tatouine is every bit as remarkable as QC Fiction’s earlier offerings. Other QC Fiction titles are reviewed here (if you enjoy a wickedly operatic story), here (if you prefer to feel a little heart-broken for a long while), here (if you wonder what it would be like

Jean-Christophe Réhel’s Tatouine (2018; Trans. Katherine Hastings & Peter McCambridge, 2020)2020-09-30T08:44:22-04:00
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