Now that it’s July, I’m re-examining the goals I had in mind earlier this year, checking to see whether my plans have aligned with my reading choices so far. A few days ago, I wrote about one of my slow-reading projects this year, and in a few days
Past the mid-point of the reading year, I notice that there are some books I finished reading some time ago, lingering. Just, around. Left in innocuous places as though I just finished reading them there. Finally, when I found a place for Khadija Abdalla Bajaber’s novel (on the shelf
Ibram X. Kendi’s Stamped from the Beginning (2016) is a doorstopper of a book that grew out of his desire to write an introductory chapter to a book about Black Studies programs in American (i.e. in the United States) universities and colleges. When his chapter was 90 pages long,
Today’s discussion includes four more books by Indigenous authors adding to the previous days’ bookchat (one, two, three, four), sparked by Indigenous Peoples Day on June 21st. In Joseph Kakwinokanasum’s My Indian Summer (2022) the chapters are named for songs from Hunter’s youth: from “Love Will Keep us Together”
The past few days, I’ve shared talk of ten different books by and about Indigenous stories (here, here, and here), and today I’ll write about three more: some poems, a novel, and an illustrated song. D.A. Lockhart’s 2022 collection, Go Down Odawa Way (Kegedonce Press, in Neyaashiinigmiing / Owen
