My experience reading David Bergen runs the gamut. When I first read The Time in Between, I felt disengaged from the story. Years later, stuck in a waiting room with The Matter with Morris (2010), I recognized layers to his storytelling which I’d missed before. With The Age of
For readers who have met Steven first in “Let it Pass” and then, much younger, in “In a War”, it would have been doubly significant to come across this passage, in a story about the Steven-between-youth-and-age: “In plain terms, this is not a recollection but the memory of
Jean-Christophe Réhel’s Tatouine is every bit as remarkable as QC Fiction’s earlier offerings. Other QC Fiction titles are reviewed here (if you enjoy a wickedly operatic story), here (if you prefer to feel a little heart-broken for a long while), here (if you wonder what it would be like
Adam Wilson’s Sensation Machines (2020) is smart and disturbing, subversive and entertaining. It’s set in an eerily could-be-now New York City: “Headlines warned of rising sea levels and methane emissions. Chronicled the continuing barrage of Weinstein-esque behavior in politics and entertainment. Addressed the uptick in anti-immigration violence in the
Seth launched his own comic book, Palookaville, in 1991. That’s where readers first met the Matchcard brothers. The 2019 Drawn & Quarterly volume includes these earlier stories (distinguishable by stylistic variations) and substantially expands this family’s story. The brothers’ relationship is defined by their respective relationships with the family
