Matthew Quick’s Sorta Like a Rock Star (2010)

2014-03-10T19:42:54-04:00

Matthew Quick's Sorta Like a Rock Star Little Brown, 2010 In a reading month that included War and Peace and Tess of the D'Urbervilles, you can imagine that I was craving something a little lighter. Enter Amber Appleton and her loyal dog, Bobby Big Boy, in the pages of this

Matthew Quick’s Sorta Like a Rock Star (2010)2014-03-10T19:42:54-04:00

Thomas Hardy’s Tess of the D’Urbervilles (1891)

2014-03-10T19:43:19-04:00

Thomas Hardy’s Tess of the D’Urbervilles (1891) Penguin, 1978 She's "goodness made interesting". That's what Irving Howe calls Tess, the main character in Thomas Hardy's Tess of the D'Urbervilles. Interesting is one way to put it. Not all of his Victorian readers found it so however. His religious skepticism and his

Thomas Hardy’s Tess of the D’Urbervilles (1891)2014-03-10T19:43:19-04:00

The Heroine’s Bookshelf Challenge

2014-03-10T19:38:14-04:00

The Heroine's Bookshelf Challenge Check it out here! Come on, you know you want to! (If all this is news to you, check out yesterday's response to this sweet little volume.) Or, if you'd rather, the book itself is structured in such a way that it invites a twelve-month exploration. The website

The Heroine’s Bookshelf Challenge2014-03-10T19:38:14-04:00

Elizabeth Vonarburg’s Reluctant Voyagers (1994)

2014-07-11T16:50:41-04:00

Elizabeth Vonarburg's Reluctant Voyagers (1995) Trans. from the French Jane Brierley Does sci-fi reading use a different muscle? If so, mine is out of practice. And no wonder. With exception of a handful of fantasy novels and one speculative fiction novel, I've been decidedly rooted in realism this reading year.

Elizabeth Vonarburg’s Reluctant Voyagers (1994)2014-07-11T16:50:41-04:00

Muriel Spark’s The Driver’s Seat (1970)

2014-03-10T19:29:30-04:00

Muriel Spark's The Driver's Seat (1970) Putnam Publishing, 1984 In between, I forget how chilling they are. Muriel Spark novels. Somehow I mix them up with other skinny reads (like Penelope Fitzgerald novels) and other UK authors (like Penelope Lively), and they don't seem so upsetting, sitting there tidily pressed between

Muriel Spark’s The Driver’s Seat (1970)2014-03-10T19:29:30-04:00
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