This Saturday marks the beginning of a series of Saturdays devoted to Shelf-Discovery reads, or Shelf-Discovery-inspired reads. I joined the actual Challenge late, else there would have been more Saturdays filled with nostalgic re-reading of kidlit heretofore. But better re-read later than never to have read at all. This Saturday
Image links to Pickle Me This, home of the Challenge Martha Ostenso's Wild Geese (1925) This feels, to me, like the quintessentially Canadian novel, the sort that I can imagine being assigned by English teachers (well, except for a couple of scenes that would have undoubtedly ruffled
Di Brandt's Speaking of Power (2006) I came across Di Brandt's work shortly after university when I was finally able to read what I wanted to read from the library shelves, my trusty alumnus card in hand, borrowing from the HQs and PRs like nobody's business. This was in the
Noel Streatfeild's Ballet Shoes (1936) Bonnie and Paul Zindel's A Star for the Latecomer (1980) I wanted to be a ballerina when I grew up. My best friend and I practiced the five positions (complete with leaping and twirling in and out of them) on the couch in her family
1949; New Canadian Library 1990 I don’t really need an answer to the question I’ve posed. I understand why Persephone would have chosen to print Hetty Dorval over The Innocent Traveller: Ethel Wilson’s first book is certainly a striking work and brings to mind other brilliant novellas (e.g.
