In the past few weeks, I’ve read a few books for this reading project; at this rate, I will easily read the 32 books I’m aiming for (representing the percentage of people in one American state, who voted in November 2020 on a bill which maintained the legal option to enslave Americans under specific circumstances).
Antoinette Nwandu’s play Pass Over (2019) was born of an emotion “so unsettling in its demands for acknowledgement” that she was utterly compelled to write.
She discovered the names of her protagonists (Moses and Kitch) while studying routes enslaved people travelled during the antebellum era and slave ship manifests.
There are only two other roles in the play, Mister and Ossifer, intended to be played by the same actor.
The brief descriptions of Characters, Setting and Time reveal how the characters and scenes are pleated, places and centuries folding inward as in this instance:
“TIME a ghetto street, a lamppost, night
but also a plantation
but also Egypt, a city built by slaves”
In just over a hundred pages, we are drawn into these intimate and honest scenes. Even though reading a play is different from attending a dramatization, Nwandu’s arc is clear and powerful.
Earlier this year, I wrote about another slim volume in my stacks: Afua Cooper and Wilfried Raussert’s Black Matters (2020). Here’s another excerpt, from “Uncles”, which fits thematically and also emphasizes the importance of voice and inheritance:
“Uncles cut cane of Louisiana plantations
wore knee-high, steel-toe boots
to keep their feet and legs safe
from poisonous snakes
that slithered through the fields
Uncles labouring under hot sun
man did tink seh slavery done…”
Elizabeth Alexander’s poems landed on many readers’ bookshelves thanks to “Praise Song for the Day”, which she read at Barack Obama’s 2008 presidential inauguration. It includes this homage to ancestors:
Her series Amistad, from her 2005 collection American Sublime is a fitting read for this project. “Translator” is in that series, with “the captives, the low black schooner like / so many ships, an infinity of ships filled / with Africans, men, women, children”.
“Emancipation” is from the same collection:
“Nineteenth century corncob cosmogram
set on the dirt floor, beneath the slant roof,
left intact the afternoon
that someone came and told those slaves.”
In Miss Crandall’s School for Young Ladies and Little Misses of Color (2007), “We” considers the risks that young ladies and little misses face in the legacy of slavery: “Though the state has said no to slavery, / we know how it happens with colored girls / and white men, their red-devil eyes and tentacles.”
Elizabeth Alexander’s Crave Radiance (2010) includes poems from six collections: an excellent beginning. (There are also many videos easily found online, if you missed her inaugural reading. Later this month I’ll have more to say about her memoir.)
I bought Michael Fraser’s To Greet Yourself Arriving (2016) because I love the cover, the way that the eyes are everywhere but removed from their faces (artwork by Kalkidan Assefa) and because I’ve enjoyed other books published by Tightrope (like this one and this one).
The introduction by George Elliott Clarke is titled for the book’s theme: “Let Us Now Praise Famous Folks (well, um, sort of)….” In sections titled The Winter’s Life, The Train I Ride On, Las caras lindas de mi gente negra, Carnival Long Ago, Say It Loud, and Future Noon, these poems are short verses about hockey players, musicians, writers, civil servants and other professionals whose names we should know (but maybe don’t).
Poems about Grant Fuhr (the first Black NHL player inducted into the Hockey Hall of Fame), Ismael Rivera (a Puerto Rican singer and composer), Gil Scott-Heron (author, poet and musician behind “The Revolution Will Not Be Televised”), Lincoln Alexander (the first Black MP in the House of Commons, later the first Black Lieutenant Governor serving Ontario), and John Ware (who had been enslaved but eventually brought cattle into Alberta and spawned the ranching industry).
In Dr. Anderson Abbott:
“My signed freedom papers / have taken up lodging / under maple floorboards.”
In Marie-Joseph Angelique:
“The flames are incomplete. / Imagine this place without a name, / like my parched familial branch / scorched over years of salt sea.”
In “Pit-House”:
“Tell me we are more than dust. Tell me we are / free as air.”
In “Underground”:
“…when they dreamed of cotton / their screams shucked the night air / of its clothes / and their hearts raced / alongside the cold curdling voices / running barefoot into morning.”
In “Paul Robeson”:
“At first they didn’t know / the voice was blooming mahogany, / non-ethereal sound, born from the hulls / of looting ships and skin-filled galleons.”
In “Pelé”:
“I placed flags and kicks in / the collective mind slavery erected.”
Marie-Joseph Angelique has only a single poem here; she is the focus of Afua Cooper’s The Hanging of Angélique: The Untold Story of Canadian Slavery and the Burning of Old Montreal (2006).
Afua Cooper’s We’re Rooted Here and They Can’t Pull Us Up: Essays in African Canadian Women’s History (1994) is more academic in tone but the extensive work on figures like Mary Ann Shadd and Mary Bibb creates a strong enough narrative to engage a curious reader.
One of the contributors to this volume is Sylvia Hamilton, whose volume of poems And I Alone Escaped to Tell You (2014) includes excerpts from reward postings for enslaved men and women who have fled their captivity (Freedom Runners) and wealthy men’s papers designating the distribution of their “property”, including people, who are passed to the next generations, like silverware and china.
And another Canadian poet compelled by history is Olive Senior, whose 2007 collection, Shell, she describes as “sprouting from the sugar cane fields on islands drenched in blood, the former British West Indies”. She began writing them many years earlier, but finished them to commemorate the 200th anniversary of Britain’s abolition of the slave trade.
Later this year, I’ll share another eight. If you’d like to recommend a book on this subject (or more than one—thanks to those who have already shared some recommendations), please do.
What a wonderful reading project! I love that you created an inspiring project out of such a depressing statistic. I’d probably put “The Hanging of Angélique” at the top of my stack, simply because I know nothing about slavery in Canada. It’s so often presented as the land of freedom, the destination of the Underground Railroad, but I guess it’s more a matter of timing and degree, so I’d like to learn more. One recommendation I have for this project is Slave Old Man by Patrick Chamoiseau, set in Martinique and translated into English from French and Creole. I reviewed it here: https://www.ozy.com/good-sht/why-this-linguistic-masterpiece-on-slavery-should-be-your-next-read/86549/
Thanks for the enthusiasm and the recommendation; I had the Chamoiseau on my library list but I don’t think I had a personal recommendation for it (likely just came across it referenced in another book) so that makes all the difference. Particularly appealing and intriguing is what you have to say about the language. Also, I love the pageload for your review, the book&author SO front¢re. Do you still contribute there? It looks like a great gig. I’m reworking a longer project for another few weeks, but then will be looking for more freelance options again. (Please feel free to reply backchannel if you’d rather.)
I haven’t written for OZY for a few years now, but I’d be happy to give you the contact details for the books editor there (at least the latest I have). I’ll send you an email.
I also wrote for OZY in 2018, so I probably have the same contact. Unfortunately, I had a mostly bad experience with them (one published piece, then two killed). Contact me if you want more info!
Thanks, Rebecca–I remember you describing that situation to me, but I’d forgotten that was the same mag, so I appreciate the reminder. I’ll check the details with you to see if I’m remembering the rest of it accurately. Right now I’m trying not to think about freelancing, but I also don’t want to miss opportunities to discuss the kind of books that aren’t getting a lot of media coverage elsewhere, so it seemed like I should make a note in the moment, even if I don’t get around to pitching (or making a decision about whether or not to) for a few months.
Thank you, kindly. I had checked to see if you were still contributing, but they do that “display everyone who’s ever created for us” thing and the page loads were getting out of hand…but I’m sure you were in there somewhere!
I’ve read some Olive Senior and really loved her writing, but all of these sound really compelling in their own way. I can never bring myself to read a play though, that format never worked for me. I miss live theatre too!
She’s amazing. I’m planning to read Dancing Lessons this year for sure. Do I remember correctly that you read one of her children’s books? It’s something I’m just beginning to get used to. New habits always take time…and sometimes I lose track of them because there are other things I want to read that don’t require any new habits.
I had to go double check actually, it was The Pain Tree back in 2016 🙂
Not usually a good sign, when you can’t remember. Somehow I thought you’d read her book about hair!
The only one I’ve read is Sylvia Hamilton’s, but I’d love to read We’re Rooted Here (I’m wondering if that’s the one I was flipping through at the library not long ago, or if there’s a similar one? I will have to check!) and, as you now, I have Black Matters here waiting for me. Have you considered reading Run Away Home by Karolyn Smardz Frost? https://consumedbyink.ca/2017/04/19/steal-away-home-one-womans-epic-flight-to-freedom-and-her-long-road-back-to-the-south-by-karolyn-smardz-frost/
I forgot to say how much I love this!
Haha…I do that all the time, get caught up in the idea of a specific book and forget to make a more general comment. But, then, you were interested enough to make a specific rec, so I kinda figured you were into the whole idea. 🙂
Oh, riiiight: thank you! I had it out from the library when it was new but could’t get finished; that’s definitely one I’d like to add back into the stack.
Wow, you’ve already managed a quarter of your planned reads! Maybe you should have set a higher target 😉 You’ve probably moved on from poetry now, but I’d recommend Native Guard by Natasha Trethewey, which is about the legacy of slavery in the U.S. South and won the Pulitzer. I imagine you will also look at other forms of slavery, like human trafficking, sex slavery, prison labour, etc.? Most of the relevant fiction about the Black experience that I can think of is meaty stuff you have most likely already read: Beloved, March, Homegoing, The Invention of Wings.
Those are great suggestions, thank you. I did have Trethewey’s poems on my TBR but hadn’t marked it for this year, and it does look like a perfect fit. Plus, so many of her books interest me. Maybe a mini-project within the project! Even though I had eight on my mind, and was aiming for 32 reviews by the end of this year, I only read four of these in January, so I think I’ll still aim for reading 32 this year, but maybe I’ll end up posting about some other older reads too, along the way. Another older one that I really want to get to is Edward P. Jones’ Known World and I probably should make a point of some of the other bestsellers (like the last two you mentioned and the Tracy Chevalier that Bill wrote about too).
We did the Chevalier for book club a few months ago. There’s also Property by Valerie Martin, which you must have read?
Oh, right, I remember that. And, yes, I love Valerie Martin’s prose, so concise and the thematic work so tightly layered. She’s someone I first read on the recommendation of Margaret Atwood actually (pre-BIP).
I haven’t read any of these but I’d like to read We’re Rooted Here and they Can’t Pull Us Up.
The women’s history side of things always pulls my interest in as well.
I don’t read as much poetry as I once did, (mainly in my teens) but the Elizabeth Alexander poetry appeals especially to me. What a great project for 2021,happy reading.
In my life, I’ve tended towards poetry when I’ve been overwhelmed (being a teenager should have fit there, but I guess I hadn’t discovered it yet! LOL). Beyond that, I have had to make a point of adding it to my stacks, but I’m hoping it becomes more of a habit (as short stories have for me).
So many good books to choose from! I think I’d go for the Elizabeth Alexander book. Happy reading!
She’s great. I thought this would be about exploring. But turns out that I would love to have her books on my own shelves.