I’m even more likely to pick up dark and disturbing stories when the sun is beating down. This stems to my “discovery” of Stephen King in a teenaged summer, beginning with Night Shift and Skeleton Crew.
There I was: lying on my back in the grass behind the rented two-storey duplex, the sun blocked from my eyes by outstretched arms holding up the paperback, reading “The Raft”. (If you know this story, you can imagine me tucking my body into ever-smaller space as I turned the pages.)
Recently, I finished reading It, which scratched my horror itch and, while I was reading, I thought maybe I would just read Stephen King for the rest of the summer. Because that seems like a very summery thing to do. To just go on and on with an author, like the hours of daylight spool out, this time of year.
But a lighter version of horror is the thriller–fun, even on the hottest days, when attention is fragmented. Thriller writers attend to plot and pacing, so you don’t have to work to keep your attention on the story.
A compelling tale to keep in mind for this summer is Katrina Onstad’s Stay Where I Can See You (2020).
Because I’ve enjoyed her earlier books, I was pretty hyped about this. Her 2006 novel, How Happy To Be was a standout read for me in that year, when I was freshly living in Toronto. And I was pleased to find her 2012 novel, Everybody Has Everything on that year’s Giller list (and, later, nominated for the Toronto Book Award).
One aspect of Onstad’s fiction that I enjoy is how her characters grapple with major shifts in identity, usually with a struggle to reconcile the person they used to be with the person they have become.
In her first two novels, the women at the centre of the stories become different versions of themselves either through neglect or accident: a job that was meant to be temporary until a fulfilling career took hold overshadows everything else, a woman who wasn’t planning to be a mother finds herself caring for a child.
In Stay Where I Can See You, one character has made a deliberate choice to be someone other than she used to be. Alongside this decision, however, the family wins the lottery, so many aspects of their lives and relationships change unexpectedly.
At the heart of the narrative are Gwen and Maddy, mother and daughter, with the men in their lives peripheral but present. For my taste, I would have preferred either fewer or more voices; either decision would have created different opportunities for the reader to connect with the two highly emotive situations presented in the wake of the family’s big win.
You can skip this Nerdy Aside
Either hover here, live on the site (not via email or a reader), or skip along!The nitty-gritty, possibly-too-much-ness, of what I'd've rathered
IMO, Narrowing to a single voice would allow a dramatic situation to swell out of that single person’s intimate experience, without inviting any “too tidy” solutions. Widening the cast would allow for broader narrative strokes discouraging questions about whether a certain outcome is realistic, because against the backdrop of more family members’ experiences, we wouldn’t feel the same pressure to have one or two characters’ problems resolved and instead focus on hoping they all cope/thrive. Either technique would have resolved my niggles about particular plot points, by redirecting my concerns–either back to the single character or outward to all the rest.
Nonetheless, Onstad’s characterization of her key players appears to be effortless. Even when she creates characters who strain the reader’s patience (something that’s more true of her previous novel), they are credible and consistent. As much as I did not want a satin-bow-tied ending for this novel, I simultaneously wanted things to work out for its characters. Their insecurities and anxious moments, the economic uncertainties and opportunities they missed: I wanted more for them, even when (especially when) my hopes were unrealistic.
As a page-turner, Katrina Onstad’s novel checks the boxes and will leave readers satisfied. The pacing is steady and the dialogue speeds it further. So, if you’re impatient for the next Shari Lapena, Chevy Stevens, Amy Stuart or Robyn Harding, Stay Where I Can See You will keep your attention, particularly if you appreciate a Toronto-soaked setting.
As for my other summer-reading moods? I’ve got a book for every one of them.
- A coming-of-age story and a romantic suspense story featured in my post earlier this week.
- Also a sprawling (and arguably overwritten and melodramatic) family saga: Colleen McCullough’s The Thorn Birds. (Clearly I missed some things, as a girl watching the mini-series on TV, and it was deliciously fraught and over-wrought.)
- A door-stopper, Hanya Yanighara’s A Little Life. Something you can sink into, when it’s too hot to move.
- A fantasy, Marlon James’s Black Leopard, Red Wolf. Because the longer you sit still, the easier it is to believe that the world you thought you inhabited is something-else now.
- A too-long-overlooked classic (with Reese, feel free to join if it’s on your TBR as well), Julio Cortazar’s Hopscotch (translated by Gregory Rabassa). Conjuring up memories of school reading lists to be dispensed with before classes returned.
- A reread of some Carol Shields (with Bookish Beck, we’ve finished The Box Garden and are heading for A Celibate Season next). For comfort, when the familiar calls most loudly. [Edit: Oops, got the title wrong there, thanks Rebecca!]
- Some essays, Ralph Ellison’s, among others. When only a fragment will do.
- Some poetry, Sylvia Hamilton’s And I Alone Escaped to Tell You, which consider how African people settled in what is now called Nova Scotia. When only an even-smaller fragment will do.
- And some politics, Thomas Chatterton Williams’ A Self-Portrait in Black and White: Unlearning Race. When the news is “too much” and, simultaneously, “not enough”.
- A children’s series, Maud Hart Lovelace’s Betsy-Tacy series, some being rereads and some fresh reads. To remember what it used to feel like, to have nothing to do but read.
- A mystery, Timothy Findley’s The Telling of Lies, one of his lesser-known efforts, set in a hotel with an unreasonably large cast of characters, with several regular and returning guests (all expecting this to be their last summer, for a variety of reasons). Whydunnits and whodunnits: compulsion outweighs the tendency to wilt.
- A play, Claudia Rankine’s The White Card: A Play in One Act. For those single-sitting, single-pitcher of lemonade afternoons.
There are so many ways to think about summer reading. The reason that I consistently have so many books in my stack is because my reading mood changes. This way, I have a book for every mood, close at hand.
The fun thing about being late to your posts is getting to read all the other comments. But, by then, sometimes I’ve forgotten what I was going to say!
I love the cover of Sylvia Hamilton’s book so much – thank you for reminding me of its existence.
I have never read one of Onstad’s books… where would you recommend I start? (Love your Nerdy Aside!)
Lately I’ve been reading a couple of nonfictions on the side of my fiction, rather than just one. I think a result of all my library books coming in. But I don’t seem to mind it at all! 🙂
That’s one of my favourite things about arriving later on to a post; then I often find myself commenting on the comments as much as saying whatever I might have said otherwise!
My second library pickup has a lot of poetry in it, which I’ve really been missing. Next time, I think I’ll ask for more illustrated books. There aren’t very many of those on my shelves at home either.
I actually think you’d enjoy this new one most of all — the mother-daughter relationship, the twists that certain developments introduce. It’s non-stop and your girls might like it too because there are segments where you get to see the mother in her late-teens in flashback (but maybe all the parts in the mother’s present-day would be less interesting to your younger daughter). (Thanks, I thought you might!)
Uh oh — polyreading. It happens to the best of us. LOL
This summer is dictated by my endeavor to complete the 20 Books of Summer challenge, a challenge I’ve struggled with in the past. But for some reason, this year I’m flying through! I credit leaving room for 6 random titles, that was I don’t feel stifled and “rebel.” I also chose lots of mysteries, which are my go-to genre when I want to sink into a story. I am sure the weirdness of this summer also plays a part. Reading has become a safe haven when the rest of the world is too unsettled and scary for me to contemplate. I just finished my 11th book of the challenge so I’m on track!
I want to read Marlon Jame’s Black Leopard someday… I have SO enjoyed two of his other three books, like lifetime favorites. (His first novel was too violent for me.) I am not naturally drawn to fantasy, especially the big epic style with lots of weird names and place names! So I’ve kind of avoided it so far. But I do want to try it. I am eager to know what you think.
I have Onstad’s new book on my shelf, and I haven’t been that excited to read it, but your review changed my mind!!! Also, i love that flippy thing you did with the nerdy aside, is that on wordpress? Is it a type of ‘block’? How do I do it?
Oohhhh, I think this will be RIGHT up your proverbial street actually. It ticks so many of your reading boxes!
Thanks for saying so, I love these fun little widgets! I’m using an Avada theme designed for WordPress, so it’s one of their pre-coded elements for that theme (a lot of the items that I used to rely on Avada for are now incorporated into the new WP “blocks”, so maybe this come will soon be available too).
I found my copy of Hopscotch! (I suspected it wasn’t far away, but the piles of books are a little out of control…or more than a little…) I haven’t started yet, but expect to pretty soon. With two ways to read it, have you had thoughts about how? I’m likely to start with the straight through approach; though then I’d do the hopscotch-y approach after finishing the first chapters that you can read straight through.
We’re going up north on Sunday for five days. (Near Killarney.) Hopefully it’s cooler. I’m likely to read, jump in the lake, repeat…
I guess you’re in the perfect time for that, no black flies yet and all the relief from this horrid humidity? Enjoy your travels!
My thoughts are that I’ll read the straight-forward section first but then follow the recommendations on the pages. Which, I guess means we’ll be reading in opposite directions? I have a reading friend who says that this book never finishes, that one is never finished with it (Lyd, if you’re reading this, feel free to advise!) so I’m a little nervous about starting into that kind of commitment… bites nails
If you think of it, send me a message when you’ve begun, so I can tag along appropriately. Do you plan to read anything else alongside? Or will this be your “main act”?
I suspect there will be black flies…alas…
I think that is what I will do–read the first 56 (?) chapters straight through, then try the hopscotching. I did notice in the list of hopscotching numbers there’s a loop. Keep that up & you will really never be done.
I’m always in the middle of several things, but I try not to be in the middle of more than one serious novel at a time. I’m currently reading Lucky Per so I may finish that before starting.
I’ve not heard of Lucky Per (or don’t recall) and it sounds really interesting. Also, I like the supplementary materials in the Everyman’s editions (if that’s the copy you’ve got).
So we have a plan, even if we haven’t instituted it yet…that’s a start. grins
What a wide ranging list! Happy reading.
What wide-ranging moods, yes! 😀
I’ve recently gotten my husband, and a book publicist who follows me on Twitter, into the multi-reading habit. Like you say, having a big stack to choose from ensures there will always be something that takes your fancy. If you’re only reading one book, it would be all too easy to get bored and go do something else. Instead, I can switch to another book, and another, and so on. I keep stacks ready at my bedside, by my bedroom reading chair, and on the coffee table, generally alternating fiction (or poetry) with nonfiction. I have books on the go to fit a few of your criteria: coming-of-age = The Girl Who Fell from the Sky, family saga / doorstopper (ish) = Americanah, poetry = a forthcoming UK release, a reread = Watership Down. Apart from those, it’s mostly lit fic and nature or foodie memoirs on the docket, the former to cover for Shiny New Books in advance of the Wainwright Prize shortlists, and the latter for my 20 Books of Summer.
I was thinking about you this afternoon, because the character in the book I’m reading keeps mentioning his old copy of Watership Down! (It’s Aubrey McKee by Alex Pugsley, from Biblioasis, publisher of the Lucy Ellman tome, but perhaps not readily available overseas at this time.)
It’s true that one does have to keep a variety within the stack, to avoid the blur that everyone (rightly) worries about in such an instance. Like you, I try to arrange things “just so” when I’m sitting down with the stack for a spell. Sometimes that choosing is almost as much fun as the reading!
And it does require vigilance, so that the titles one avoids repeatedly are either weeded out, or placed differently, so that they work back into regular attention. But it’s so comforting to know that there is something there waiting for you, regardless of one’s frame of mind. As you say, there are so many other ways to spend time, and not all of them leave us feeling good, so an unwieldy stack offers some protection on that score!
(BTW, if you’re up for it, I have a question for you, in response to L.G. Cullens’ question above.)
I haven’t seriously checked it out yet, but have you read Her Last Flight by Beatriz Williams?
As for me, I’m enjoying a rare literary gem, Circles in the Forest by Dalene Matthee. No idea where I’ll go from there.
Oooooo, no I haven’t noted her name or that title previously (Circle in the Forest), but thank you…just a little bit of digging online and I’m wholly intrigued.
I don’t know about Her Last Flight, but the marketing reminds me of Paula McLain or Jennifer Chiaverini, which makes me wonder if it’s a little light for my taste? Rebecca, if you’re reading this, do you have any thoughts on her?
Hello! I don’t get notified of follow-up comments anymore (argh! on many blogs, not just yours), but luckily I thought to come back and have another look. I’ve not read any Beatriz Williams, but I love Paula McLain’s stuff.
Thanks, Rebecca. Thought it was worth a try! 🙂
During the summer I often go on my family visit travels and take something large with me (War and Peace or the like). This year I doubt I’ll be going anywhere so I don’t know. My reading is never typical and so I may just try to make a big dent in Mount TBR!
At a certain point, the idea of making “a big dent” just becomes kinda laughable, doesn’t it? But maybe, if you focussed on a lot of skinny books you could feel like you’re making some serious headway? I’ve been really enjoying the idea of reading the longer books that I undertook when shelter-in-place sunk in; I think I’ve read more of them in half of this year than in the whole of last year. It’s nice to remember what that’s like. I’ve even been thinking of rereading Middlemarch. Somehow I don’t remember your having mentioned Eliot? Then again, she’s not Tolstoy.
I read some of books back in they day but never Middlemarch. I have a copy- it’s on the TBR…
And in good company, I’m sure. 🙂