Three of these books were inspired by the conjunction between my own shelves and this year's Random House Bingo, which has a CanLit theme. The Tiger Claw filled my Nominated-for-the-Giller square, Evan Munday's second October Schwartz for the Mystery-or-Thriller square, and Elaine Lui's book about her relationship with her mother
She tells you straight-up: "The decision when to begin a family story is arbitrary." HarperPerennial, 2015 (US edition) And she lays out the doubts and uncertainties: "Who am I to claim the official version?" And, so, Alison Pick is our seemingly uncertain and unsanctioned guide. But, she also
"I've always conceived of language as music," says Tomson Highway: musician, playwright, novelist. "I play Chopin still, but in Cree," he continues. Then, more than a decade later, it is as though he continues this conversation, in A Tale of Monstrous Extravagance. This slim volume is subtitled on "Imagining Multilingualism", which
I pulled André Alexis' Despair and Other Stories of Ottawa (1994) off my shelf when Fifteen Dogs was nominated for the Toronto Book Award (since then, FD has also been nominated for the Giller Prize and the Rogers' Writers' Trust Fiction Award). There aren't any notable four-legged characters, but the collection is fascinating.
Over the summer, I have been reading a lot of magazines. With some magazines, I "subscribe-incessently-and-renew-unthinkingly" and, with others, I practice the "when-I'm-in-the-mood-to-browse-the-newsstand" method. Both of these purchasing methods result in a tremendous backlog of reading for me, because I'm curious about so many things that the stacks quickly become
