This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds in
This will be the first of three posts spiralling around notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds
In the first musical number in the classic RKO comedy film "Swing Time", Fred Astaire and Ginger Rogers dance with grace and finesse; towards the end of the number, they even leap across the fence-like borders which circle the floor. Hamish Hamilton - PRH, 2016 Astaire and Rogers
Once again, my idea of reading more non-fiction this year didn't materialize. During Non-Fiction November, so many people were actually reading books that I have been meaning to read but I picked up a novel or collection instead. Nonetheless, I've squeezed in a few. Julia Shaw's The Memory Illusion (2016) Memory
Many writers suggest that a motivation for telling stories is to set things in order, to make sense of what seems senseless. Little wonder that so many novels are preoccupied with loss and absence, abandonment and grief. In Melanie Mah's The Sweetest One, Chris (Chrysler) Wong thinks maybe she's cursed.
