In the final volume of the Bill Hodges trilogy, the timeline briefly veers back to the opening scene of Mr. Mercedes. This time, a few minutes after the scene which opens the series. (Then it returns to a contemporary setting, a few years after Finders Keepers.) Scribner - S&S,
Sometimes, it's clear who the bad guys are. Sometimes they're clearly drawn, not only unsavoury, but also unprincipled. Like the misogynists who people the Signy Shepherd series by Susan Philpott, in which women are rescued from life-threatening situations by other women working a type of Underground Railroad, called The Line. (Blown
Research for Eowyn Ivey's new book took her into the heart of Alaska and onto the Copper River, described here, long before the draft was complete and bound and the book published. Little Brown and Company Hachette, 2016 Official publication day is today, the launch in Palmer, Alaska. On the page, the
What Jane Ozkowski captures beautifully in Watching Traffic is the very sensation embodied in the debut novel's title: Emily is overwhelmed by motion even while in a state of stillness. Groundwood Books, 2016 It's the summer after high-school gradulation, and Emily is working at a catering company, making egg-salad sandwiches and
“'What the hell makes you think,' she said, in her most glacial voice, 'that I am anybody’s victim?'” Soho Press, 2016 Nina's question, in an earlier volume of the series, is ironic in this context: The Considerate Killer begins with two blows to the back of Nina's head
