Who? Where? “Since 1993 Kegedonce Press has been crafting beautiful books that involve Indigenous Peoples at all levels of production. […] Indigenous owned and operated, Kegedonce is based at Neyaashiinigmiing, on the traditional territory of the Chippewas of Nawash First Nation. Our owner and Managing Editor is Kateri Akiwenzie-Damm of
Who? Where? “Fish Gotta Swim Editions is a small, international press overseen by Theresa Kishkan in Canada, and Anik See in The Netherlands. It specializes in novellas and other innovative prose forms, published in visually attractive, limited print runs. We believe these forms should be well-represented, and not ignored
Picking up yesterday's thread, the balance in Seçkin’s novel sways toward the personal, whereas the political scene in Alaa Al-Aswany’s The Republic of False Truths (2021) is more prominent, despite all the attention paid to characterization—a network that grows increasingly complex as readers turn the pages. (And there’s at
The 1619 Project (Edited by Nikole Hannah-Jones, Caitlin Roper, Ilena Silverman, and Jake Silverstein) opens with an epigraph from Langston Hughes, his poem “American Heartbreak 1619”: I am the American heartbreak-- The rock on which freedom Stumped its toe-- The great mistake That Jamestown made Long ago He’s such
The more time I’ve spent reading about slavery this year, the more often I’ve discovered references to it in unexpected places. (Looking to catch up? Here are all the links to the previous posts this year.) For instance, in Fred D’Aguiar’s memoir Year of Plagues (2021): “When I think
