On the day that I got my visitor’s card at the library here, I borrowed Marie-Louise Gay’s Mustafa (2018): a children’s story (Gay illustrates, writes, and translates) about a boy who searches for himself, in the space between his old country and his new country. Certains soirs, Mustafa rêve
In the coming year, I don’t know if I will read so many collections or spend time with so many illustrations, but I have enjoyed my 2022 reading so far (partially discussed last week, here). Ai Qing’s Selected Poems (2021), translated by Robert Dorsett, are “characterized by his sincerity, a
Who? Where? “Since 1993 Kegedonce Press has been crafting beautiful books that involve Indigenous Peoples at all levels of production. […] Indigenous owned and operated, Kegedonce is based at Neyaashiinigmiing, on the traditional territory of the Chippewas of Nawash First Nation. Our owner and Managing Editor is Kateri Akiwenzie-Damm of
Who? Where? “Fish Gotta Swim Editions is a small, international press overseen by Theresa Kishkan in Canada, and Anik See in The Netherlands. It specializes in novellas and other innovative prose forms, published in visually attractive, limited print runs. We believe these forms should be well-represented, and not ignored
Picking up yesterday's thread, the balance in Seçkin’s novel sways toward the personal, whereas the political scene in Alaa Al-Aswany’s The Republic of False Truths (2021) is more prominent, despite all the attention paid to characterization—a network that grows increasingly complex as readers turn the pages. (And there’s at
