From the opening lines of Five Little Indians, debut author Michelle Good prepares readers. There are snares and ghosts, silvery and summery glimmers, and there is also warmth. (There’s also the requisite discussion of semantics—‘Indian’ or ‘Aboriginal’—reminding readers that nomenclature and self-identification is not a matter of consensus in
In Imagining Ancient Women (2011), Annabel Lyon declares that “literary fiction is uniquely poised to perform an important ethical function in our lives—namely to teach us compassion”. She warns of the pitfalls: moral outrage, forbidden love, and excessive decoration. All of which she avoids in Consent. So much so,
Best known as a poet, Anne Simpson has also published two novels prior to Speechless: her debut, Canterbury Beach (2001), and her follow-up, Falling (2008). This new book shifts to an overtly global focus and beckons to a broader readership. “A Hausa girl in Paiko, Niger State – Thomas
I read Gil Adamson’s The Outlander (2007) in February 2009, on my daily subway commute, and on the afternoon that I was nearly finished reading, I started a conversation about it with another commuter, who was also reading it. I waited until I’d moved towards the door, prepared to
The characters in Shani Mootoo’s fiction often carry a burden. Cereus Blooms at Night (1996) is a lyrical and painful story of reconciling past trauma with present-day understanding (and a personal favourite). In Moving Sideways Like a Crab (2014), one character believes that all they “learned about women and
