In the past, I've made large stacks of creepy reading with the RIP challenges in mind, but I have a habit of stacking up many lovely possibilities but then choosing different books altogether later on. Perhaps this is partly because books can surprise you and take you in unexpected directions.
Like Anne Tyler, the only plot that Marina Endicott has is the passage of time. The events in her novels are ordinary happenings, but there is a delicious sense of unspooling when one falls into one of her narratives. Doubleday Canada, 2015 Close to Hugh is structured over a week's time and
It's an old term, 'wolf border', from the Finnish language: susiraja. The boundary betweent the capital region and the rest of the country: everything which lies beyond the border is wilderness. HarperCollins, 2015 Certainly Rachel does have to explain a lot about her scientific work with wolves beyond the
As a fan of Carrie Snyder's The Juliet Stories, I was wriggling in my seat over the mere idea of Girl Runner. But then the anxiety crept in: there would be no Juliet, and perhaps much of the magic was hers. Just as the same river can't be stepped in twice, an
It begins in fog. With Matthew Sweetland hearing voices "so indistinct he thought they might be imaginary". Doubleday Canada, 2014 This scene from the past alerts readers that they should be concerned with the line between the real and the invented, and even more to the point, with how
