Margaret Millar’s A Beast in View (1955; 2016)

2017-02-24T17:01:29-05:00

She won the Edgar for it in 1956: Best Novel. (If you are looking for new reading lists, the Edgar Award's site is filled with temptations.) And it was the first of three, later awards being given for The Fiend in 1965 and Beyond This Point Are Monsters in 1971. (She would

Margaret Millar’s A Beast in View (1955; 2016)2017-02-24T17:01:29-05:00

Margaret Millar’s Wives and Lovers (1954; 2016)

2017-07-24T15:00:28-04:00

Readers familiar with Margaret Millar's suspense novels, will immediately recognize her style and language in Wives and Lovers. (Just yesterday I discussed Vanish in an Instant, another volume in the Syndicate reprint series.) "It was a shoebox of a room, with the ceiling pressed down on it like a lid, and

Margaret Millar’s Wives and Lovers (1954; 2016)2017-07-24T15:00:28-04:00

The Promise Falls Trilogy

2017-01-06T11:04:07-05:00

Promise Falls has a history. You might not think so, but it matters. “Are we too insignificant up here: A couple of hours away from New York? Is that what we’re foolish enough to think? Let me tell you something, my friend. You want to strike fear into the hearts

The Promise Falls Trilogy2017-01-06T11:04:07-05:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation

2017-07-24T14:32:10-04:00

This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation2017-07-24T14:32:10-04:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation

2017-07-24T14:32:18-04:00

This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds in

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation2017-07-24T14:32:18-04:00
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