Mireille Silcoff’s Chez L’Arabe (2014)

2017-07-24T15:11:50-04:00

Weeks after reading these stories, a glance at the table of contents brings back their characters and arcs in a moment. (With "Flower Watching" and "Eskimos" I also required the aid of the characters' names I'd noted.) These stories stood out, not only as independent narratives but, simultaneously, for the

Mireille Silcoff’s Chez L’Arabe (2014)2017-07-24T15:11:50-04:00

January 2015, In My Reading Log

2020-10-01T12:53:35-04:00

Ater a year of new-new-new, January has been filled with the familiar, the known. It's not been about making new-shiny-library-residing friends, but about becoming better acquainted with long-time residents of my own bookshelves, remembering what drew particular authors onto my MRE (MustReadEverything) list and particular books onto my shelves. Have

January 2015, In My Reading Log2020-10-01T12:53:35-04:00

I Spy: Walt and Mr. Jones

2017-07-20T18:04:57-04:00

As much as these stories focus on solitary characters who observe, from the margins, they long for something else; Walt and Mr. Jones are ultimately preoccupied with relationships. Goose Lane Editions, 2014 Margaret Sweatman's Mr. Jones openly confronts duplicity. "His life had been contrary, a series of duplications: two homes; a father who’d

I Spy: Walt and Mr. Jones2017-07-20T18:04:57-04:00

Carrie Snyder’s Girl Runner (2014)

2017-07-24T15:03:20-04:00

As a fan of Carrie Snyder's The Juliet Stories, I was wriggling in my seat over the mere idea of Girl Runner. But then the anxiety crept in: there would be no Juliet, and perhaps much of the magic was hers. Just as the same river can't be stepped in twice, an

Carrie Snyder’s Girl Runner (2014)2017-07-24T15:03:20-04:00

Partitions: Neverhome (2014) and Between Clay and Dust (2012)

2017-07-24T15:11:53-04:00

Neverhome is set in the years of the American Civil War and narrated by a fledgling letter-writer. She has survived the conflict and adopted this strange chore of authoring. Little, Brown and Company, 2014 "When I’d eaten up my given share of a day I’d take up my pen

Partitions: Neverhome (2014) and Between Clay and Dust (2012)2017-07-24T15:11:53-04:00
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