At the beginning of the novel, where an epigraph might appear, is a note from the author, explaining that Uglies was shaped by a series of email exchanges between Scott Westerfeld and author Ted Chiang about his story “Liking What You See: A Documentary”. At the end of Ted Chiang's
In "Save the Reaper" and "The Children Stay" readers are directed to wonder what young children remember of their parents' shenanigans, but in this story readers inhabit Karin's perspective. Karin is certainly old enough to actively observe and contemplate the events unfolding around her (although from a girl's perspective, so
As with the earlier stories in this collection, readers are cast back in time: by thirty years in "The Children Stay". Readers find themselves on the east coast of the Island, Vancouver Island, but the exact location of the cottage is reminiscent of the way in which the Maitland River
After a lifetime of collecting, Mr. Joseph Herbert Neill sold 1,000 objects to the county on the condition that they open a museum and appoint him curator. This is the story I imagine lurking behind the Walley museum in the opening paragraphs of "The Love of a Good Woman", behind D.M.
"There’s no backstitching in stories. Nothing can be locked in place." So says a character in Studio Saint-Ex, but readers of Ania Szado's second novel might disagree; she seems to have no trouble locking a good story in place. She began where all good stories begin, with a fascination. In
