This morning, the 23rd edition of Canada Reads program launches. I’ve missed the voice of a career writer in the program in recent years and now, with Heather O’Neill’s inclusion (whose Lullaby for Little Criminals was a previous Canada Reads winner) as a champion, my affection for the program’s
Everything I knew about cities, when I was a girl, I learned from stories. One novel that stood out for me was Marilyn Sachs’ Amy Moves In, a story which has a family moving into an apartment in a city, where Amy has to start at a new school
In my recent reading, it’s been as much about how the story is told as it’s been about the story itself. This certainly isn’t a new idea—these examples span three decades—but sometimes the phenomenon is more prevalent in my stacks. Maybe you’ve read some of these, or maybe
Rereading Wayson Choy’s The Jade Peony (1995) is a blatant act of homage. When I first heard Choy read from his work, he was promoting his memoir Paper Shadows (1999) at a Pride event. He was reading with Marnie Woodrow and Sky Gilbert: one, a curly-haired slightly messy young
It's possible that the readers who will warm most fervently to The Wondrous Woo are those readers who feel a connection with a passage like this: Inanna Publications, 2013 "The first episode had come after an incident at the Woolco cafeteria when I was ten. It was $1.44
