From the outset, The Fiend has a creepy element which readers hadn't yet experienced in the fiction Margaret Millar had published theretofore. "She was about nine. Having watched them all impartially now for two weeks, Charlie had come to like her the best." You're afraid to ask, aren't you: why
Even the shortest story in The Other Paris provokes a strong sympathy on the part of readers. Bill Perlmutter: "Through A Soldier's Lens. Europe In The Fifties".Click for source details At the heart of the story are two young children, Ursula who is older than seven and Colin who
Readers familiar with Margaret Millar's suspense novels, will immediately recognize her style and language in Wives and Lovers. (Just yesterday I discussed Vanish in an Instant, another volume in the Syndicate reprint series.) "It was a shoebox of a room, with the ceiling pressed down on it like a lid, and
Promise Falls has a history. You might not think so, but it matters. “Are we too insignificant up here: A couple of hours away from New York? Is that what we’re foolish enough to think? Let me tell you something, my friend. You want to strike fear into the hearts
"My books aren’t romances per se; they don’t even necessarily feature happy endings any more, they just conclude with hopeful moments that allow the reader to decide whether widows have the strength to go on or divorced dads find love for a second time." And there is nothing romantic about the
