On the day that I got my visitor’s card at the library here, I borrowed Marie-Louise Gay’s Mustafa (2018): a children’s story (Gay illustrates, writes, and translates) about a boy who searches for himself, in the space between his old country and his new country. Certains soirs, Mustafa rêve
Last time, there was talk of Bevann Fox’s novel Genocidal Love (2020), Isaac Murdoch’s The Trail of Nenaboozhoo and Other Creation Stories (illustrated by Christi Belcourt, 2019), David Bouchard’s and Roy Henry Vickers’ The Elders Are Watching (2003), and Kazim Ali’s Northern Light: Power, Land, and Memory of Water
This, her first essay in Sister Outsider, is based on edited journal entries from her travels in 1976, when she was invited to observe the African-Asian Writers conference, which was sponsored by the Union of Soviet Writers. She writes about her flight to Moscow, nine hours long, and her
It is the way of things that, in the week I was reading and writing about Audre Lorde’s first essay in Sister Outsider, I met her in another book too. In “The History of Black People” from Magical Negro (2019), Morgan Parker writes: “If you cut open my heart,
The climate crisis erupts regularly in my reading, in unexpected ways. In Natsumi Hoshino’s manga series for children, Plum Crazy, named for the household’s first cat, even the cats heard a news report and pawed at the light switches to reduce their energy consumption. (My laugh came out more
