The title of Pasha Malla’s 2015 article in The New Yorker’s Page-Turner says it all: “Too Different and Too Familiar: The Challenge of French-Canadian Literature.” Because it is a challenge to locate French-Canadian literature within the landscape of Canadian Literature, even for those of us who devote a significant
Shadow Giller review contents: In Short, a 300-word and spoiler-free summary, intended to have a broad appeal; In Detail, elaborating on one aspect of the book which I found remarkable (perhaps only interesting for others who have read the book or who have an interest more mechanical aspects of
“I dare say old Red-head will be delighted. If there is one thing above another that pleases him it is an addition to the clan.” That’s Renny and, it’s true, his heart beats for Jalna, which is where the Whiteoaks are. But he has standards. He’s not about the
What a fine author with whom to launch Women in Translation month (hosted by Biblibio) one of the few contemporary authors whose work I have followed from the beginning in Sheila Fischman’s translations: Ru (2009; 2012) and Mãn (2013; 2014). Themes from both of her previous novels resurface in Vi, and
The second book published in the series naturally focuses on Alayne, who was introduced as an independent young woman, who left her New York publishing career behind when she fell in love with one of the Whiteoak boys, in the series’ first volume, Jalna (published in 1927). Viewing the
