As much as these stories focus on solitary characters who observe, from the margins, they long for something else; Walt and Mr. Jones are ultimately preoccupied with relationships. Goose Lane Editions, 2014 Margaret Sweatman's Mr. Jones openly confronts duplicity. "His life had been contrary, a series of duplications: two homes; a father who’d
As a fan of Carrie Snyder's The Juliet Stories, I was wriggling in my seat over the mere idea of Girl Runner. But then the anxiety crept in: there would be no Juliet, and perhaps much of the magic was hers. Just as the same river can't be stepped in twice, an
In discussing the different kinds of love which the Vietnamese language distinguishes between, Kim Thúy's Ru lists thích, which means "to love by taste". Random House Canada, 2014 (One may also love without being in love (thuong), love passionately (yêu), love ecstatically (mê), love blindly (mù quáng), or love gratefully (tình nghīa)
It begins in fog. With Matthew Sweetland hearing voices "so indistinct he thought they might be imaginary". Doubleday Canada, 2014 This scene from the past alerts readers that they should be concerned with the line between the real and the invented, and even more to the point, with how
Mark Lavorato’s debut novel is aptly titled as the novel is equally divided between these two characters, a young woman who dances on stage and a young man who takes photographs on the streets. Through them, readers experience Montreal of the 1920s, from vaudeville to fascism, and women’s rights to
