These sentences are dappled across a two-page spread of Mariko and Jillian Tamaki’s This One Summer (2014), as though they are wafts of milkweed ink: House of Anansi, 2014 “The first time I ever saw a milkweed was on the beach at Awago. I thought they were magic
Paradoxically, the phenomenon in The Fever has a chilling effect on characters and readers alike. The girls fall to the ground, one after the next; they writhe and tensions rise but blood is chilled. Little Brown & Company, 2014 “As Deenie walked out, a coolness began to sink
Desmond has returned to the island because the prime minister has asked those who went abroad to help rebuild the nation, now that it has gained its independence. Harper Collins Publishers, 2014 Cecil Foster's experience is not unlike Desmond's, but Independence is rooted in the story of a
At the beginning of the novel, where an epigraph might appear, is a note from the author, explaining that Uglies was shaped by a series of email exchanges between Scott Westerfeld and author Ted Chiang about his story “Liking What You See: A Documentary”. At the end of Ted Chiang's
The word 'goodish' entered my vocabulary thanks to an observation that Carol Shields makes of two female friends in The Republic of Love. (General increased usage of -ish also ensued.) "They love the word ‘goodish,’ as in goodish sunsets, goodish travel bargains, goodish men." The title and cover of Suzanne Sutherland's When
