Although some of the characters in the Margaret Millar mysteries I have read answer their own phones, many answer other people's phones instead: the telephones of older or more privileged relatives or those of their bosses. There's even a switchboard operator in the mix, along with a woman better known
This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds
This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds in
This will be the first of three posts spiralling around notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds
In the first musical number in the classic RKO comedy film "Swing Time", Fred Astaire and Ginger Rogers dance with grace and finesse; towards the end of the number, they even leap across the fence-like borders which circle the floor. Hamish Hamilton - PRH, 2016 Astaire and Rogers
