Rawi Hage’s Cockroach (2008)

2014-03-20T15:54:10-04:00

Some readers will be unsettled by the title alone. (I had early exposure as a young reader to Don Marquis' archy and mehitabel, so it didn't work that way for me.) Most readers will be unsettled by the story. (As activist and artist Banksy has said: “Art should comfort

Rawi Hage’s Cockroach (2008)2014-03-20T15:54:10-04:00

Lisa Moore’s Alligator (2004)

2014-07-11T16:54:32-04:00

When readers look into the eye of Lisa Moore's fiction, they are changed. House of Anansi, 2004 "I knelt down near the fence and looked into the eye of a giant alligator that was very near the fence. The alligator did not move and did not move. I

Lisa Moore’s Alligator (2004)2014-07-11T16:54:32-04:00

Cary Fagan’s My Life among the Apes (2012)

2022-02-02T19:26:27-05:00

One imagines these are the kind of stories that erupt from a phrase overheard at a restaurant or eavesdropped from a park bench. Cormorant Books, 2012 These are not the kinds of stories that come complete with detailed descriptions and backgrounds; it`s hard to imagine Cary Fagan filling

Cary Fagan’s My Life among the Apes (2012)2022-02-02T19:26:27-05:00

Borders: Kim Thúy’s Ru (2009)

2014-03-18T12:08:32-04:00

The epigraph to Ru is the reader's first clue that this novel embraces complexity. The reader learns that the word, in French, means a small stream, literally (and, figuratively, a flow -- of tears, blood or memory). Whereas, in Vietnamese, 'ru' means a lullaby, drawn from what is

Borders: Kim Thúy’s Ru (2009)2014-03-18T12:08:32-04:00

Annabel Lyon’s The Sweet Girl (2012)

2021-02-01T10:46:38-05:00

Annabel Lyon says that she knew, almost immediately upon beginning to write The Golden Mean, that she would be writing the other half of its story. That was "a very male book...all male characters...about warfare and public life and politics and rationality [and] science, all the things that Aristotle represented".*

Annabel Lyon’s The Sweet Girl (2012)2021-02-01T10:46:38-05:00
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