In the coming year, I don’t know if I will read so many collections or spend time with so many illustrations, but I have enjoyed my 2022 reading so far (partially discussed last week, here). Ai Qing’s Selected Poems (2021), translated by Robert Dorsett, are “characterized by his sincerity, a
Here’s a glimpse of some recent reads which lend themselves more to sampling, in a handful of reading sessions, than gobbling in longer periods of time. Not the books which require a sink-into-your-seat focus, rather the ones which afford the opportunity to window-gaze between pages or single-sitting reads. Like
Here's a glimpse of some current reads which lend themselves more to sampling, in a handful of reading sessions, than gobbling in longer periods of time. Although I no longer need to ponder the ratio of heavy to light volumes in my stack of current reads (because the COVID
Seth launched his own comic book, Palookaville, in 1991. That’s where readers first met the Matchcard brothers. The 2019 Drawn & Quarterly volume includes these earlier stories (distinguishable by stylistic variations) and substantially expands this family’s story. The brothers’ relationship is defined by their respective relationships with the family
In my recent reading, it’s been as much about how the story is told as it’s been about the story itself. This certainly isn’t a new idea—these examples span three decades—but sometimes the phenomenon is more prevalent in my stacks. Maybe you’ve read some of these, or maybe
