The story of how the cover for Higher Ed evolved provides readers with clues as to the novel's preoccupation with perspective; from a close-up of a clown fish to a human hand, Tessa McWatt's story covers the gamut. Random House Canada, 2015 It begins with a cast of characters,
Phyllis Rose took a year to read Proust and wrote her "memoir in real time". More recently, Rebecca Mead revisited Middlemarch and she, too, wrote a memoir which examined her own life in that context. In Tolstoy and the Purple Chair, Nina Sankovitch plunged into the classic Russian's work as part
It’s frightening, what happened to the author late one night travelling on a dark road after an exhausting studio session, forced to suddenly stop because of two shadowy figures ahead. (You can read about the event in an article on her UK publisher's site, here.) Simon & Schuster, 2015
Carrie's mother died on Tuesday. The loss has fragmented her view of the world, dulled her senses (or is that the alcohol?) and sharpened her wit. NeWest Press, 2015 Given the circumstances, the novel's narrative tone is a quick slap to the face, heightened colour left behind in
Neverhome is set in the years of the American Civil War and narrated by a fledgling letter-writer. She has survived the conflict and adopted this strange chore of authoring. Little, Brown and Company, 2014 "When I’d eaten up my given share of a day I’d take up my pen
