This year I have read some stand-out collections, but for the most part I neglected to take notes from them: Joy Williams' Honored Guests, Kathleen Winter's The Freedom in American Songs, Jessica Grant's Making Light of Tragedy, Shawn Syms' Nothing Looks Familiar, Elaine McCluskey's Hello, Sweetheart, Julia Leggett's Gone South and Other
My progress through Gabrielle Roy's works has been slow but steady, and this month I requested one of the children's books, which I held out for myself as a reward for finishing six of her novels. My treat was to be Cliptail, but the only copy available in the public
Tomorrow, I will be on the move. So many of the books currently occupying a position in my stacks are bulky and heavy, that it was easy to choose amongst the skinny residents. I have one more story to read in Gabrielle Roy's The Road Past Altamont. There are only three in
A new Friday fugue, concluding this week, considering the ways in which our working lives appear on the pages of novels and short stories. (Previous weeks can be viewed here, here and here, if you're keen.) Riverhead, 2013 Mohsin Hamid’s How to Get Filthy Rich in Rising Asia
At the beginning of March, I was determined to keep my nose in a stack of backlisted books. Books like these are the kind that to keep my focus on my own shelves in this reading year. Chad Pelley’s Every Little Thing (2013) “Every day, every hour, really, it was a
