In which there is talk of the slim stories which have travelled with me within the city, while bulkier volumes stayed home. Charles Dickens' Bleak House and John Ajvide Lindqvist's Harbor (Translated by Marlaine Delargy) are awkward travelling companions. As are some of the skinnies in my current stack,
Anosh Irani's "Circus Wedding" appears in the Spring/Summer 2017 issue of Eighteen Bridges, a fabulous magazine. His novel, The Parcel, also considers voices which are often pushed to the margins. Here, too, Raju inhabits a precarious existence. Here too, Anosh Irani takes a small character and reveals their big dreams.
In which pages are turned, at a faster rate than usual. Character-soaked, but still fast-paced storytelling. Cherie Dimaline's The Marrow Thieves (2017) is set in a future in which the dominant culture has determined that the blood of indigenous peoples holds an inherent value for healing. Exploitation and genocide ensue. This
2017’s Nonfiction November is hosted by Katie at Doing Dewey, Lory at Emerald City Book Review, Julie at Julz Reads, and Kim at Sophisticated Dorkiness! Three ways to join in this week! You can either share 3 or more books on a single topic that you have read and can recommend (be the expert), you can
Nominated for the Writers' Trust Prize for Non-Fiction in Canada, Tanya Talaga's book explores the situation which led to the deaths of seven Indigenous high school students in the Thunder Bay area, five of them in the rivers surrounding Lake Superior. The sense of northern community which might be
