The library classification data for The Outlaw Ocean suggests categories like Fisheries-Corrupt practices, Travel, Special interest, Adventure, True Crime. All of these seem correct and yet none of them seems right. This is just over 400 pages long – with another hundred pages of notes (sources, readings, digressions)
There are three things that I noticed in this rereading of The Handmaid’s Tale. The use of time in the narrative. The importance of what is not said. The matter of world-building and perspective. In all three, readers are wholly engaged. Engaged in the use of time, in the
We’re more than halfway through the month of #MARM and today is Margaret Atwood’s 80th birthday. Naomi and I are supposed to be deep into discussions about The Handmaid’s Tale and The Testaments (her spoiler-free launch of The Ts discussion is here). But I’ve still got my head in
When I first read The Handmaid’s Tale, I was a teenager. In a few years, I would start to keep records about my reading: a log and handwritten (or typed( passages that I favoured along the way. The log in a notebook (usually practical rather than pretty) and the
Despite the rather long title, the core idea of this novel is succinct: “Your truth is not more fucking true than my truth.” Megan Gail Coles situates her story around a downtown restaurant in St. John’s Newfoundland. There, a handful of characters, who are navigating the daily grind, present
