Intentionally pushing the boundaries, this LGBTTIQQ2SA history aims for inclusivity, representation and originality. These essays are designed to "dazzle" and to "distract" readers from the convention (in this city and beyond) of the queer narrative's domination by the white/male/cis/middle-class/able-bodied perspective. There are more than 100 short pieces to expand
"The past presses so hard on the present, the present is badly bruised, blood brims under the skin." These lines from Brenda Shaughnessy's poem “Nachträglichkeit”* fit beautifully with Darren Greer's new novel, Advocate: Not only because much of Advocate is preoccupied with memory, with what the characters carry with them
Conflicted: that describes my first impressions after meeting Pillow in Andrew Battershill's Giller-nominated novel of the same name,and it also describes his perspective on the world. It's hard to be Pillow, to see all the angles which converge and diverge simultaneously on any single thought he has. For instance: "Pillow
It begins with something extraordinary. "Almost a decade earlier, a man with a .45-70 Marlin hunting rifle walked through the front doors of Avalon Hills prep school. He didn't know that he was about to become a living symbol of the age of white men shooting into crowds." House
In which I discuss some of the skinny volumes, which have nestled into my bookbag. (Meanwhile longer works, like Kathleen Winsor's Forever Amber and Greg Iles’ The Bone Tree, were left at home.) Patricia and Fredrick McKissack's Best Shot in the West tells the story of Nat Love, who was born into
