Many writers suggest that a motivation for telling stories is to set things in order, to make sense of what seems senseless. Little wonder that so many novels are preoccupied with loss and absence, abandonment and grief. In Melanie Mah's The Sweetest One, Chris (Chrysler) Wong thinks maybe she's cursed.
It's the book which Moth discovers in Mr. Wentworth's study in Ami McKay's second novel, The Virgin Cure (2011): "The Witches of New York was the book I’ found most intriguing." "Listing addresses from Broome to Nineteenth Street, it claimed to be a reliable guide to the soothsayers of the
The FOLD (The Festival of Literary Diversity) is an annual event, in Brampton (Ontario, Canada) dedicated to telling more stories, to having audiences connect with a wider variety of storytellers. You can check out their lineup of terrific writers and storytellers who were a part of the debut festival in May
The title of her second novel might well have been a discarded option for her debut; Riel Nason is back in familiar territory: the intersection between memory and identity, the line between mysticism and madness, and sibling bonds in a coming-of-age tale. Goose Lane, 2016 Now it is 1977
Nothing really happens. Here, the "main event is simply a view of the water". So Ruby's story should not be a page-turner. But, in fact, The Town that Drowned is a coming-of-age story with a curious momentum. No single element is responsible: character and voice, setting and structure, all work
