Martha Brooks’ Two Moons in August (1990)

2014-03-20T15:34:04-04:00

"There were two moons last August -- one that was almost full at the beginning when Mom was alive and our lives were normal, and then a big full cheater moon at the end, one that looked down so beautifully on the world when everything was awful and changed and

Martha Brooks’ Two Moons in August (1990)2014-03-20T15:34:04-04:00

Lisa Moore’s Alligator (2004)

2014-07-11T16:54:32-04:00

When readers look into the eye of Lisa Moore's fiction, they are changed. House of Anansi, 2004 "I knelt down near the fence and looked into the eye of a giant alligator that was very near the fence. The alligator did not move and did not move. I

Lisa Moore’s Alligator (2004)2014-07-11T16:54:32-04:00

Borders: Kim Thúy’s Ru (2009)

2014-03-18T12:08:32-04:00

The epigraph to Ru is the reader's first clue that this novel embraces complexity. The reader learns that the word, in French, means a small stream, literally (and, figuratively, a flow -- of tears, blood or memory). Whereas, in Vietnamese, 'ru' means a lullaby, drawn from what is

Borders: Kim Thúy’s Ru (2009)2014-03-18T12:08:32-04:00

“Miles City, Montana” Alice Munro

2014-06-02T14:35:55-04:00

The turkeys, Steve Gauley, a young girl: drownings. (In my memory of this story, only one of these stood out: wrongly, as it turned out.) Re-reading "Miles City, Montana" reveals the intricate layering of Alice Munro's stories, the multiple threats of drowning and its actual occurrence. One. Then the next.

“Miles City, Montana” Alice Munro2014-06-02T14:35:55-04:00

Grace O’Connell’s Magnified World (2012)

2014-03-18T11:45:12-04:00

The title of Grace O'Connell's debut novel is pulled from a poem by Helen Humphreys, "Blurring".* It's ironic that the closer you examine something, the harder it is to focus, and this is a truth which Maggie Pierce inhabits when Magnified World opens. She is reeling from her

Grace O’Connell’s Magnified World (2012)2014-03-18T11:45:12-04:00
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