Mavis Gallant’s first sentences are clear and purposeful: they orient readers and offer a glimpse of the story’s tone. “His mother had come of age in the war and then seemed to live a long greyness like a spun-out November.” Another remarkable aspect of her craft is the way
At first it is surprising. To come across the word ‘defenestration’ in a Mavis Gallant story. Often these are inward-looking stories, detailed and expansive glimpses into the interior lives of quiet – and often solitary – characters. Someone drives too quickly or protests the contents of a sermon, someone
Much of September and October were occupied by reading books which appeared on prizelists and a few which I thought might appear there. Most of these I’ve already discussed (a quick way to locate them is through my Autumn 2018 Prizelists and Events page, which collects the relevant posts
Story-wise, this is the fourteenth volume in the Jalna series, and the house is about a hundred years old. There is time to reflect here, so that when a new character, like Humphrey Bell, is introduced, readers are reminded of all the other characters who have lived in his
Shadow Giller review contents: In Short, a 300-word and spoiler-free summary, intended to have a broad appeal; In Detail, elaborating on one aspect of the book which I found remarkable (perhaps only interesting for others who have read the book or who have an interest more mechanical aspects of
