On reading, at last, Rilla of Ingleside

2015-08-27T16:18:03-04:00

I can no longer claim that reading about grown-up Anne is boring, when that would clearly mean I, as a grown-up, must be boring too. So I have had to come up with other reasons to avoid reading the final Anne book. Knowing what a chore it was for LMM

On reading, at last, Rilla of Ingleside2015-08-27T16:18:03-04:00

Sigal Samuel’s The Mystics of Mile End (2015)

2020-08-19T08:28:35-04:00

There are five windows on the cover of Sigal Samuel's debut novel; in only one of them does a pair of people appear. Freehand Books, 2015 In three of the windows there is a solitary silhouette, and in the window at the top, the blind is nearly pulled to

Sigal Samuel’s The Mystics of Mile End (2015)2020-08-19T08:28:35-04:00

Marina Endicott’s Close to Hugh (2015)

2017-07-24T14:49:21-04:00

Like Anne Tyler, the only plot that Marina Endicott has is the passage of time. The events in her novels are ordinary happenings, but there is a delicious sense of unspooling when one falls into one of her narratives. Doubleday Canada, 2015 Close to Hugh is structured over a week's time and

Marina Endicott’s Close to Hugh (2015)2017-07-24T14:49:21-04:00

Edna O’Brien’s The Love Object

2017-07-24T14:56:47-04:00

In interview with Harriet Gilbert, when meeting to discuss her landmark work The Country Girls as part of the BBC's World Book Club, Edna O'Brien speaks about the relationship in that novel between a young woman and a married man referred to as Mr. Gentleman. Little, Brown and Company, 2015

Edna O’Brien’s The Love Object2017-07-24T14:56:47-04:00

“Face” Alice Munro

2017-07-25T11:22:56-04:00

"You think that would have changed things?" "The answer is of course, and for a while, and never." In interview with Eleanor Wachtel, Nick Hornby discusses the "problem of being divided being two worlds" saying that many of us have a version of this in our own lives. This is true

“Face” Alice Munro2017-07-25T11:22:56-04:00
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