Quarterly Stories: Autumn 2014

2017-07-24T14:27:25-04:00

“Bad coffee can only keep you company for so long at four a.m. in a bus depot.” Caitlin Press, 2014 All of the characters in Janine Alyson Young’s debut collection seem as though they would immediately recognize the truth of that. They all seem to have a spot

Quarterly Stories: Autumn 20142017-07-24T14:27:25-04:00

Alice Simpson’s Ballroom (2014)

2014-10-27T16:51:21-04:00

The reader moves onto the floor with great excitement, turning the initial pages of a debut novel, heartbeat slightly accelerated, hopes and expectations heightened. It is a dance: this movement between reader and story. Alice Simpson's Ballroom takes that connection seriously. HarperCollins, 2014 The very structure of the

Alice Simpson’s Ballroom (2014)2014-10-27T16:51:21-04:00

Alexi Zentner’s The Lobster Kings (2014)

2014-09-10T19:34:11-04:00

Like his first novel, Touch, The Lobster Kings showcases Alexi Zentner’s penchant for storytelling. Knopf Canada, 2014 Readers who learn that this novel is a retelling of Shakespeare’s tragedy "King Lear" might expect the tale to distance readers, with the original story centuries old and memories of stilted

Alexi Zentner’s The Lobster Kings (2014)2014-09-10T19:34:11-04:00

August 2014, In My Reading Log

2024-05-09T11:59:34-04:00

Although I always have a small stack of books underway, I have carried to extremes this act of multi-booking this summer. Yesterday I finished Michael Crummey’s new novel (Sweetland), Alison Wearing’s memoir (Confessions of a Fairy’s Daughter), Jan Zwicky’s poetry collection, the second volume in the Fruits Basket manga series,

August 2014, In My Reading Log2024-05-09T11:59:34-04:00

Shani Mootoo’s Moving Forward Sideways Like a Crab (2014)

2014-10-07T15:08:06-04:00

Shani Mootoo sidles up to her story. Random House Canada, 2014 A novel like Padma Viswanathan’s The Ever After of Ashwin Rao is more openly preoccupied with questions of grief and loss. One like Shyam Selvadurai’s The Hungry Ghosts explores family relationships and the passage of time in

Shani Mootoo’s Moving Forward Sideways Like a Crab (2014)2014-10-07T15:08:06-04:00
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