Gone Girl, The Girl on the Train and, most recently, The Widow: girls make for good pageturners. But Gillian Flynn, Paula Hawkins and Fiona Barton are looking to tell different kinds of stories about girls. In a BookPage interview, Gillian Flynn tries to explain why Gone Girl captured "the popular
What I was not carrying in my bookbag this month: David Mitchell's Ghostwritten, Shauna Singh Baldwin's The Tiger Claw and the third volume in G.R.R. Martin's Ice and Fire series. These hefty volumes stayied at home, but these slimmer books were travelling this month. And there was more to-ing and fro-ing this month
“If prison isn’t prison, the outside world has no meaning!” So says Aurora to Charmaine in Margaret Atwood's new novel, The Heart Goes Last. McClelland & Stewart, 2015 (Penguin Random House) It dates back, the CanLit icon's interest in imprisonment, a preoccupation with the idea of lives which
Despite its sedate and unassuming cover, Pauline Holdstock's The Hunter and the Wild Girl begins in a rush. Goose Lane, 2015 "With a shriek of splintering boards, the girl breaks into daylight and stands blinded, panting, sucking air as if it were a great hot soup, her chest
The first volume of his Toronto trilogy introduces readers to Bernice Leach, who has left Barbados to work in Toronto as a housekeeper in an upscale neighbourhood in the 1960s. She has left behind a son and his father, as well as a mother and a sister, and she is
