If you’re the kind of reader who particularly enjoys the idea of stories intersecting and connecting, this one’s for you. If you would have enjoyed Elizabeth Strout’s Olive Kitteridge just as much if the stories had appeared all jumbled. And, if you loved the film Sliding Doors and the
“This is the way it’s done, isn’t it? This is how other people do it.” How other people live their lives, that is. When Carol Shields tells the story of Larry Weller’s life, it begins with his having picked up somebody else’s coat and it ends with a party.
A few weeks ago, I mentioned how much Naomi’s Atlantic Canada reading has impacted the books in my stacks. (Check out her project here, along with pages dedicated to the Halifax Explosion and regional literary awards on Consumed by Ink.) When I reach for another book set in Toronto
My experience reading David Bergen runs the gamut. When I first read The Time in Between, I felt disengaged from the story. Years later, stuck in a waiting room with The Matter with Morris (2010), I recognized layers to his storytelling which I’d missed before. With The Age of
Adam Wilson’s Sensation Machines (2020) is smart and disturbing, subversive and entertaining. It’s set in an eerily could-be-now New York City: “Headlines warned of rising sea levels and methane emissions. Chronicled the continuing barrage of Weinstein-esque behavior in politics and entertainment. Addressed the uptick in anti-immigration violence in the
