In “Saturday”, the mother had dreamed a different kind of life for her daughters. In “Up North”, Dennis’ mother is dreaming of a different kind of life for herself. She’s on a train, north of Montreal, heading for Abitibi, Quebec. That’s where Dennis’ father is working in the bush.
The image of the father in this story, unable to sleep, counting his sons-in-law instead of sheep, makes me smile. The way that he matches his memory of their faces with the litany of names, his uncertainty about the fifth, his debates over which of them is married to
Mavis Gallant’s first sentences are clear and purposeful: they orient readers and offer a glimpse of the story’s tone. “His mother had come of age in the war and then seemed to live a long greyness like a spun-out November.” Another remarkable aspect of her craft is the way
Just four weeks ago, I was commenting on the first story in From the Fifteenth District, a novella, and noting how many key elements of Mavis Gallant’s storytelling were present in “The Four Seasons”. In “The Latehomecomer”, not only do some familiar elements resurface, but an actual character reappears.
Shadow Giller review contents: In Short, a 300-word and spoiler-free summary, intended to have a broad appeal; In Detail, elaborating on one aspect of the book which I found remarkable (perhaps only interesting for others who have read the book or who have an interest more mechanical aspects of
