If you've glanced at the union regulations for Native writers, you'd have seen this one coming: Eden Robinson explains that it's a requirement. "It’s also a union regulation as a Native writer that you have to write a Trickster story at least once." (This is from an interview by
In which there is talk of novels which were read too quickly to allow for extensive note-taking and snapshots: good reading. Yewande Omotoso's The Woman Next Door (2017) Longlisted for the Women's Fiction Prize this year, this story about two women in their eighties, neighbours in South Africa, is quietly
For the first time, twelve-year-old Emma Ellinger feels truly connected to her mother. They are finally “doing something together, alone, with no man, no Uncle Anyone, to interfere". Tangier, Moracco 1887 Click for source data It's true that the cruise hasn't gone entirely as planned; they have packed the
For years, vaguely since I collected The Bingo Palace with a university course in mind (but there was never enough time to read all the books I planned to read for papers) and intensely since falling in love with The Last Miracle at Little No Horse, I've wanted to go
This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds
