"Give her a room of her own and five hundred a year, let her speak her mind and leave out half that she now puts in, and she will write a better book one of these days." So said Virginia Woolf. McClelland & Stewart, 1998 And although Kath
If she were to tell the story again, it would be a little different. You might wonder how, because Bo's story seems all-of-a-piece, powerful just as it is, at once archetypal and unique. Random House Canada, 2014 "No one knows. But one thing is true. Whenever someone retells
It begins with a short but vividly drawn scene: two lovers alone in a room in Paris in 1917. Sensorily rich and broadly sketched: the reader is immediately engaged. Not only by the substance, but by a couple of unexpected phrases therein: questions arise. Those questions are soon set aside
One might say that the narrator of Margaret Drabble's novel is an anthropologist of sorts. Perhaps that would be misleading, however: "Anthropology is full of strange spirit stories, about shamans and witchcraft and night ridings and animal shape-shiftings, stories which hover between myth and fairytale and religion and tribal memories
Three for three: I've read all three of Stacey May Fowles' novels straight-through. It just happened. But although it was true of Be Good and Fear of Fighting, I was prepared to take my time with Infidelity, an emotionally exhausting subject. But, then, it happened again. Perhaps it simply comes down
