Boundaries and borders, between countries and between stages of life: Andrée A. Michaud's Boundary darts across the dotted lines, back and forth, sedately in one moment and chillingly the next. Because the story revolves around the murders of two young women in the small community of Bondrée, questions of
In Susan Hill's Howard's End Is on the Landing, she quotes a friend who says "We read Margaret Drabble to feel the zeitgeist, our daughters read Helen Simpson." (Their daughters' daughters might be reading Janine Alyson Young or Alex Leslie or Rivka Galchen or Eufemia Fantetti.) In the first story
Lynda Barry says a “happy ending is hardly important, though we may be glad it’s there”. But there’s more to it, she says: “The real joy is knowing that if you felt the trouble in the story, your kingdom isn’t dead.”* Doubleday Canada, 2015 If one reads a
“If prison isn’t prison, the outside world has no meaning!” So says Aurora to Charmaine in Margaret Atwood's new novel, The Heart Goes Last. McClelland & Stewart, 2015 (Penguin Random House) It dates back, the CanLit icon's interest in imprisonment, a preoccupation with the idea of lives which
Our young separatist narrator is imagining his own future and the future of Quebec, and both man and nation are struggling with matters of expression and independence, in Hubert Aquin's Next Episode (published in 1965, translated by Sheila Fischman in 2001). “I am the fragmented symbol of Quebec’s revolution, its
