Who? Where? "Our list is an aesthetically diverse, award-winning collection of fiction, poetry, and creative nonfiction by both established authors and exciting new voices. We pride ourselves on our careful attention to detail throughout the editorial process, the high production quality and innovative design of our titles, and our creativity
Here’s a glimpse of some recent reads which lend themselves more to sampling, in a handful of reading sessions, than gobbling in longer periods of time. Not the books which require a sink-into-your-seat focus, rather the ones which afford the opportunity to window-gaze between pages or single-sitting reads. Like
I’ve been following a thread through this year’s reading for the past four days, from Roe to Revolution, Revolution to Secrecy, Secrecy to Corruption, Corruption to Colonialism, and now, linking from one fiction about labour and status to another, moving from Colonialism to Corrosion. Did you guess from yesterday’s
Dirty Work by Eyal Press (2021) landed in my stack following an interview with the New York Times Book Review editor. Its subtitle—Essential Jobs and the Hidden Toll of Inequality in America—summarizes the content aptly, but doesn’t express how un-put-down-able I found this book. Most of the time, when
Another voice-driven young woman’s story—Fatima Daas’s The Last One (2021)—held me rapt throughout. At first, I wondered if the repetitive variations on “My name is Fatima” that open each segment of the story would grate on me but, perhaps because the prose is arranged so that it’s almost-verse-like, it
