On the day that I got my visitor’s card at the library here, I borrowed Marie-Louise Gay’s Mustafa (2018): a children’s story (Gay illustrates, writes, and translates) about a boy who searches for himself, in the space between his old country and his new country. Certains soirs, Mustafa rêve
Last year, I was inspired by a local artist’s desk calendar to explore a series of cities in my reading. This year I’ve been exploring migration and lives in motion: often involuntary, frequently devastating, sometimes inspiring. This sense of between-ness reminds me of this passage in a 2021 debut
It was late when I picked up Emmanuel Mbolela’s memoir Refugee (2021), nearly time for bed; it occurred to me that another book might make more suitable bedtime reading. I’ll just start, I thought, because it was a borrowed copy and due back soon at the library. Straight away,
Boyles, Chen, Clerson, Eunyoung, Li, Ruffin, and So Short Stories in July, August, and September Whether in a dedicated collection or an anthology, these stories capture a variety of reading moods. This quarter, I returned to a favourite writer and also explored seven new-to-me story writers.
Flickering and Imprecise: the first words I jotted down, while reading this Mavis Gallant story. It struck me that perhaps one of the reasons that her stories have endured is that her style is uncluttered and direct: there aren’t a lot of adjectives or adverbs, so when something –
