Who? Where? "Our list is an aesthetically diverse, award-winning collection of fiction, poetry, and creative nonfiction by both established authors and exciting new voices. We pride ourselves on our careful attention to detail throughout the editorial process, the high production quality and innovative design of our titles, and our creativity
I’ve been following a thread through this year’s reading for the past four days, from Roe to Revolution, Revolution to Secrecy, Secrecy to Corruption, Corruption to Colonialism, and now, linking from one fiction about labour and status to another, moving from Colonialism to Corrosion. Did you guess from yesterday’s
This has been a rich year for short stories. Some collections I’ve enjoyed without making notes, like Venita Blackburn’s How to Wrestle a Girl (2021); her stories are vivid and will appeal to readers who prioritize voice, as well as readers who admire a certain playfulness that’s delicately balanced
Yesterday, in the wake of the librarians’ shushing, some might have taken advantage of the ensuing silence for a nap. Now, yawning ourselves awake, we can resume our chat about the overlap between fiction and non-fiction, in sprawling and slightly chaotic stacks and shelves. In the opening story of
It was late when I picked up Emmanuel Mbolela’s memoir Refugee (2021), nearly time for bed; it occurred to me that another book might make more suitable bedtime reading. I’ll just start, I thought, because it was a borrowed copy and due back soon at the library. Straight away,
